Killer Flamingos fly high as popular dance band in Michigan, Ann Arbor
MICHAEL WESTHOFF WASHTENAW VOICE
The Killer Flamingos strikes up its first song of the night and pop rock vibrates through every surface. The band’s cover of Katy Perry’s “Waking up in Vegas” makes the crowd sway and tap their toes. A few begin to dance and sing to the music.
And that’s just the first song.
Hopped up on Red Bull and going all night, the Killer Flamingos gets the party started.
The long-time band switched to strictly covers a few years ago after its successful 2001 album “Sick Society,” but it hasn’t lost its draw. Ann Arbor Current Magazine and Hour Magazine voted it best band in Ann Arbor and Detroit, respectively, in 2008 and 2009.
The band plays four to five nights a week in Southeast Michigan, including at the Cavern Club in Ann Arbor, where The Washtenaw Voice interviewed the band members before a Saturday night show. They play or travel to shows upwards of 50 hours a week — and enjoy every moment.
“We love it — we play music for a living,” said bass player David Gondoly. “Since I was a kid that’s the only thing I’ve wanted to do.”
Three of the band’s five members went to school for music, and each member is expert at his or her instrument, a point Gondoly attributes the band’s success to.
“Everyone at their own instrument is really, really talented,” he said.
The band started as a house band at a bar in Allen Park in 1994 when the bar owner gave it the name “Killer Flamingos,” said Darren Drake, the only original member.
After Drake took the band out of the bar, Michelle Carravallah added her sultry, powerful voice as lead vocalist nine years ago, and Gondoly and Todd Best joined as accomplished bass and guitar players. In a drummer switch out, Tim Webber joined three years ago, and the band’s been solid ever since.
“There’s a great chemistry,” Gondoly said. “I’ve certainly been in a lot of bands where after a while you just don’t like each other, but this is just not like that —we’re like family.”
“And we’re all grateful of the amount of time we’ve spent together, because it’s just unheard of,” Carravallah added.
They thought of changing the name of the band a while back, Drake said, but Killer Flamingos stuck.
MICHAEL WESTHOFF WASHTENAW VOICE
“It’s always been synonymous with just a good party band,” Drake explained.
The band plays covers of current pop music, like Lady Gaga and Katy Perry, old-school hip-hop and modern rock. It also has revamped songs, such as “Ignition” by R. Kelly, that have been a hit with crowds.
The band’s second original album, however, is still an ongoing project.
“It’s sort of recorded, but not mixed or finished,” Drake explained. “So there’s kind of an album floating out there in the matrix.”
In about nine years as an independent band, the Killer Flamingos has acquired an extensive fan base, with Ann Arbor, Royal Oak and Novi as the main centers.
“We’ve built up a following and the following becomes part of your friends too,” Gondoly said.
“We have great fans,” Carravallah interjected.
But the band agrees that Ann Arbor has the best crowd.
“This is totally not pandering,” Gondoly said.
“I know what he’s going to say already,” Carravallah jokingly interrupted.
“The Ann Arbor crowd’s great,” Gondoly enthused.
“They are great,” Carravallah confirmed.
“There are a few crowds where you can literally play anything, and Ann Arbor is one of them,” Gondoly finished. “They’re appreciative and energetic without being ridiculous — like some places get really drunk, and it’s just praying they don’t fall on you.”
“Ann Arbor by far has the most responsive, fun crowds for live bands,” Drake added.
MICHAEL WESTHOFF WASHTENAW VOICE
The Cavern Club in the heart of downtown Ann Arbor is the band’s favorite local venue, and it plays there a few nights a month. Nick Easton, the club’s owner and manager, said the band “always brings a huge crowd,” upwards of 600 people each time.
“I really, really like playing (the Cavern Club),” Carravallah said. “I call it my weekly dose of rock stardom because people are so excited.”
The fan base in Ann Arbor and Southeast Michigan is one of the reasons why the band members call the band a career and not a job.
“We passed up ‘job’ a long time ago,” Gondoly explained. “When we’re playing a place every now or then for $50 a night — that’s when it was a job. Now it’s a career for sure.”
And they don’t plan to stop anytime soon.
“I’ll keep this up ’till I drop dead,” Drake said, only half jokingly. “I wouldn’t want to do anything else, and I think everyone else feels the same way.”
CHRIS ASADIAN THE WASHTENAW VOICE
To most people, an abandoned two-story office building surrounded by warehouses on the north side of Ypsilanti seems as empty of possibilities as it is of furniture. But when indie business owner James Marks toured the building in January, he saw an opportunity to capitalize on local arts buzz and fulfill a
“Ever since I was 16 or 17, the golden dream was to have this place where you have bands and music and art and whatever project you wanted to do,” said Marks, 29, founder and owner of Ypsilanti’s VG Kids
custom screen printing. “When I saw this space, I realized it was kind of ready to go and ready to be used as is for artist spaces.”
Eight months later, the space, named SPUR Studios, is a burgeoning arts community. Marks and SPUR Studios managers Chris Sandon, 31, and Steve Emschwiller, 29, have been leasing the spaces, priced at $125-$350 a month, for about two months and have rented more than half of the 30 spaces.
Musicians rent spaces on the lower level and visual artists use the street level, which also houses the studio’s ping pong table. All of the spaces have wide windows that look into the building, which promotes the sense of community Marks hopes to cultivate.
“Just to feel supported and to feel part of the community is huge, and that’s something that is much more difficult to quantify than the dollar amount you are paying for footage,” Marks said. “When you take people with good ideas who are motivating each other and working off each other and there’s enough of that kinetic energy going on, you can’t help but create this bubbling, gurgling thing that’s spewing out awesomeness in all directions.”
Five black stickers with inspirational bold lettering tape up the studio’s floor plan on the visual artist floor.
“You are in control.” “You are the one.” “Make it happen.” “Take action.” “The time is now.”
Marks takes that advice to heart. With no funding, he convinced the owners to let him sign a three-year lease and pay for the building based on how many spaces he could rent out.
“It’s not like we have a fixed cost; we just kind of collect as much money as we can and give them a percentage of it,” Marks said. “It’s what made the project manageable.”
Everyone at SPUR Studios shares Marks’ initiative and vision.
“Obviously these are people who are doing things and making things, who aren’t waiting for the ‘right’ moment or the ‘right’ idea,” Marks said. “No — you take what you have and rub your pennies together and try to make something happen.”
Artists and musicians are encouraged to do whatever they want with the space aesthetically — they just can’t sleep in their spaces.
“Do anything you want, but have the house somewhere else,” Emschwiller said.
So far, the renters have been very professional.
“I’ve been impressed with how much people have taken their space seriously and done a lot with it already,” said Sandon, who has his own space in the building as a video artist with area-based Dirty Brothers. “This is a pretty sterile space, so how quickly art can convert that to a creative space is always kind of amazing.”
Some artists have painted their spaces bright colors — even black. One artist put in hardwood floors. Cre Fuller, who crafts metal robot heads from self-described “junk,” neglected the paint and floors but spent a month creating a light-up metal robot to attach to his space’s door.
MICHAEL WESTHOFF THE WASHTENAW VOICE
“I had plans to paint and all that stuff, but right when move in date came, I was so excited to just start getting the stuff here,” Fuller, 36, said. “And then I wanted something for everybody else.”
Fuller plans to spend at least twenty hours a week in his space creating the robot heads and expanding his business, Tin Angry Men, which he started in his house two years ago. He wants to start selling online and reach out to wider audiences.
“Making the robots look pissed off kind of satisfies the creative itch — and I don’t want to make them too cutesy, but I thought I might want to establish something that is a little more open to all audiences instead of just the tragically annoyed,” Fuller said with a sly smile.
Ypsilanti’s Shadow Art Fair produced many of the studio’s first renters, including Fuller. Marks held meetings about SPUR Studios at the fair in July, and opened up the studio for those interested.
“I just wanted to see the space, and when I came in, it was like an Easter egg hunt for adults — everyone just descended and went their own direction and I wandered into this room,” Fuller said as he sat at his metal-strewn work desk in a cramped room with windows overlooking trees. “It felt right, it was only one hundred and fifty bucks a month — well within the capabilities of robots to afford — so I just said what the heck and ponied up six month’s rent. Straight off the Shadow Art Fair, the money was still in my wallet.”
As owner of VG Kids printing, Marks knew Ypsilanti had an arts scene to support this project, but he wanted the project to strengthen the arts scene in return.
“Ypsi is developing this reputation of being this cutting-edge arts community, but when I look at it as someone from that scene, I didn’t see enough concrete examples to back that up,” Marks explained. “We need more examples, so when you get here after hearing all this buzz, you can see it was legitimate. That was one of the motivating factors for me.”
Marks also sees SPUR Studios as a natural extension of VG Kids.
“VG Kids is all about supporting artists, makers, thinkers, doers — people who want to change the world and get the most out of life,” Marks said. “We do that at VG Kids by making their T-shirts or their stickers or their posters. Once you understand why we do what we do at VG, this completely ties into that.
“And I won’t be shy: The better the art scene does in Ypsi, the better VG Kids is going to do,” Marks added. “Those are our people and the more we draw energy together and make this pool of rad people, VG is just going to have great things happening around it.”