‘Kick-Ass’ is not just another superhero movie

‘Kick-Ass’ is not just another superhero movie

ADRIENNE FRANK

Movie Critic

The opening line of the film “Kick-Ass,”—“I always wondered why no one did it before me.”—made me wonder the same thing about the movie: how could no one have made this movie before? The story of a nerdy teenager deciding to become a superhero—even though he has no superpowers—is pure delight. And yet this film moves beyond what was shown in the trailer, to make a movie that is not just another teen sex comedy with some slapstick fight scenes. It’s an exciting action film, and a truly scathing satire. Aaron Johnson stars as Dave Lizewski, your typical high school loser. After being mugged, he becomes appalled by the violence in his neighborhood and decides to don a costume, take on the identity of Kick-Ass and go out to fight it. After becoming a You Tube sensation when one of his exploits is caught on camera, he meets Big Daddy (Nicolas Cage) and his eleven-year-old daughter Hit-Girl (Chloe Moretz), who, unlike “Kick-Ass,” fights big-time criminals, and also fight to the death. Suddenly the would-be hero, who was inspired by comic books, is sucked into a world of all-too real violence as he must battle ruthless mobsters and drug dealers. “Kick-Ass” is a rare film in that it accomplishes exactly what it sets out to do. As a nerdy-underdog-conquering-the-bad-guys comedy it is consistently funny, and as an action film it offers excitement. Most surprisingly, “Kick-Ass” gives an effectively harsh look at the very real problems of violence in society. Instead of leaving the violence cartoonish, and the story just another empty-headed good versus evil plot, the filmmakers took a risk and went over the top with some oddly disturbing violence. All of this effectively works to make moments just enough uncomfortable to watch. The viewer realizes what the main character is realizing: being a superhero is not a game, and while it seems exciting, violence is, unfortunately, very real, and almost impossible to defeat. This story could have been difficult to tell, and every actor does a marvelous job. Johnson is perfect as the idealistic loser and Moretz steals every scene she is in as the tiny assassin who never flinches while she mows down grown men. That a comedy-action flick could achieve all of this is really quite amazing, and the film is well worth watching. But be forewarned: it is not for the squeamish. Violence that is normally seen in movies is made doubly disturbing because it is being inflicted by—and to—an eleven-year-old girl. If blood makes you uncomfortable, don’t see this movie, because there is a never-ending supply of it. However, it is definitely worth watching as a funny and exciting action-comedy with a little bit of deeper reality to it.

No joke: Comics gather to promote Detroit 

No joke: Comics gather to promote Detroit 

Matt Durr

Contributor

Dave Coulier

DAVE COULIER COURTESY PHOTO

After years of being the punchline for late night talk show hosts like Jay Leno and David Letterman, Detroit is punching back. The third annual Detroit International Comedy Festival is scheduled for March 21-27 and it’s bringing some heavy hitters into town. Lewis Black, Kathleen Madigan and Detroit native Dave Coulier will be headlining various nights throughout the festival. But it is the meaning behind the festival that has drawn the attention of the major acts. “We all need a good laugh,” said Dave Moroz, the founder of the festival. “It’s no secret this area has been hit hard, and we want to give the people of Detroit a good time.” The idea behind the festival is to promote the strength of the city, especially for someone like Coulier, who grew up in suburban Detroit. “It’s my roots, my family, my friends,” Coulier said. “Being able to say that I’m from Detroit is something I’m proud of.” Moroz started the festival two years ago and though it was small steps in the beginning, things have really picked up this year. After he formed a partnership with local promoter Mike Watts, the festival was able to get a major sponsor and attract major names—like Black. “Lewis jumped at the chance,” Watts said. “Lewis has so much respect for the people of Detroit, and wanted to help any way he could.” The festival begins Sunday with Black headlining at the Royal Oak Music Theater. The rest of the week’s events will take place at Mark Ridley’s Comedy Castle, also in Royal Oak. Each night has a different headliner, with Black hosting Monday night as well. Along with the headliners, many smaller acts from across the country and right here in Michigan will be performing. Two of those local comedians are Germaine Gebhard and Kris Peters, both from Ann Arbor. “I am honored and humbled to have been chosen as a performer in the Detroit International Comedy Festival,” Gebhard said. “I encourage everybody to not only attend the festival to see the big names, but to also take pride in our great lineup of homegrown talent as well.” While Detroit has been the butt of many jokes thanks to the Kwame Kilpatrick scandal, the crisis in the automotive industry and, of course, the Detroit Lions football team, Watts feels that it was time for Detroit to stand up for itself. “We think its time to celebrate the wonder and great sense of humor that emanates from this city,” he said. Coulier, however, offered a different reason as to why people around the country try to poke fun at Detroit. “They’re all just jealous because we have the Red Wings.”